Monday, April 1, 2019
English Literature The Nuns Priests Tale by Geoffrey Chaucer
English Literature  The Nuns Priests  narration by Geoffrey ChaucerThe Nuns Priests  level by Geoffrey ChaucerThe use of  living creatures in the  autobiographys The Nuns Priests  story by Geoffrey Chaucer and The Company of Wolves by Angela Carter allows the reader to further  take the meaning that the composer has created within the text. The Nuns Priests Tale is an example of Chaucer testing the bounds of a beast fable genre.  savage fable is a tale where animals are used as embodiments or caricatures of human virtues, vices, prudences, and follies  and other typical qualities of mankind. (Coghill  Tolkien 12). The Company of Wolves is the reconstruction of the folktale Little Red Riding Hood. The female character in the narrative ends up in the wolfs arms instead of his stomach contradictory to the  milksop tale which challenges the narrative of masculine desire. With these examples we can clearly see the animal influence within these texts.Geoffrey Chaucer was an English author    who wrote many works, he is  ruff remembered for his frame narrative The Canterbury Tales. The Nuns Priests Tale is a part of The Cantebury Tales which tells a tale of an old woman who had a small farm in which she kept animals, including a rooster named Chantecleer. Chantecleer had  seven hens as his companions, the most honored of which was Pertelote. Chantecleer does indeed represent abstarct ideas  and represents them in a way the is subtle, changing and often ironic  Chantecleer himself never becomes a  undefiled abstraction. He is a very engaging creation in a very real world ( Stephen Coote 52). The idea of a rooster  universe able to hold such qualities those of human beings, reinforces Chaucers  numbers as a particlar form of comic wisdom (Coote 33), through the use of barnyard animals. The poem begins with the romance between Chantecleer and Pertelote. Romance being a genre   ordinarily featuring noble knights and their ladies, evokes the comical view of such heroic tradit   ions with the use of animals. Chantecleers first introduction is that In all the land, at crowing hed no peer (Geoffrey Chaucer 203). In this context, the description of Chantecleer evokes humor at the heroic traditions of that time on two counts. One is that crowing (203) is not a heroic form and secondly that it is not particularly  move that he does it well seeing as though he is a rooster, and that it is naturally what they do. The rooster is then described from his comb (203) right  bring to his nails with the colours of flowers and jewels. This is very strange when it is applied to Chantecleer, as this method is usually employed when describing a beautiful woman. Ironically this description of Chantecleer fits perfectly, reminding us of the  prideful beauty of this animal.  
Subscribe to:
Post Comments (Atom)
 
 
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.